Los Angeles: Backrooms, the highly anticipated cinematic adaptation of the internet’s most infamous creepypasta, has taken the box office by storm. Directed by 20-year-old YouTuber-turned-filmmaker Kane Parsons, this A24 horror feature has defied all industry tracking, pulling in an estimated $85 million to $88 million during its opening weekend and establishing a new benchmark for internet-native IP.
Dethroning a Giant: Surpassing ‘Star Wars’
The success of Backrooms is particularly staggering given its competition. The indie horror flick managed to dethrone Disney and Lucasfilm’s mega-budget Star Wars: The Mandalorian and Grogu, which suffered a steep 69% drop in its second weekend, earning just $25 million.
Produced on a modest budget of under $10 million, Backrooms raked in an astounding $38.4 million on its opening day alone. Globally, the film is pacing toward a massive $121 million to $124 million launch, cementing it as the biggest opening weekend in A24’s history.
From Viral YouTube Lore to the Big Screen
The film expands upon Parsons’ viral 2022 YouTube short, “The Backrooms (Found Footage),” which amassed over 190 million views. Starring Oscar-nominees Chiwetel Ejiofor and Renate Reinsve, the story centers on Clark, a struggling architect who discovers a portal in his warehouse basement. The portal leads to the “Backrooms”—a terrifying, endless maze of drab, yellow-wallpapered rooms illuminated by humming fluorescent lights.
Breaking Down the Eerie Ending
The film’s climactic ending has sparked massive discussions among audiences. In the final act, Clark’s therapist, Dr. Mary (Reinsve), ventures into the Backrooms to save him. However, the supernatural realm manifests Clark’s deepest rage into a mutated monster known as ‘Captain Clark,’ which brutally kills the real Clark.
Mary barely escapes the entity, only to fall into the hands of scientists from ‘Async,’ a shadowy research institute studying the dimension. The film closes with a chilling final shot: the camera pans down through the labyrinth to reveal a distorted, “Still Life” clone of Mary trapped in the purgatory. Director Kane Parsons has intentionally left the ending ambiguous, stating that it sets the stage for a broader narrative in future sequels.
A Winning Streak for Creator-Led Horror
Backrooms isn’t the only creator-driven film making waves. Focus Features’ Obsession, a horror-romance directed by YouTuber Curry Barker, continues to defy box office gravity. In a rare feat, Obsession saw a 19% spike in its third weekend, grossing $28.5 million and pushing its domestic total past the $106 million mark, comfortably securing the second spot at the box office.
Disclaimer: This article is an independent box office report and cinematic analysis based on estimated weekend tracking data and public plot details. Box office figures are projected and subject to minor adjustments upon final reporting. This content is intended for entertainment, informational, and news-reporting purposes only.
