Dethroning a Giant: Surpassing ‘Star Wars’

The success of Backrooms is particularly staggering given its competition. The indie horror flick managed to dethrone Disney and Lucasfilm’s mega-budget Star Wars: The Mandalorian and Grogu, which suffered a steep 69% drop in its second weekend, earning just $25 million.

Produced on a modest budget of under $10 million, Backrooms raked in an astounding $38.4 million on its opening day alone. Globally, the film is pacing toward a massive $121 million to $124 million launch, cementing it as the biggest opening weekend in A24’s history.

From Viral YouTube Lore to the Big Screen

The film expands upon Parsons’ viral 2022 YouTube short, “The Backrooms (Found Footage),” which amassed over 190 million views. Starring Oscar-nominees Chiwetel Ejiofor and Renate Reinsve, the story centers on Clark, a struggling architect who discovers a portal in his warehouse basement. The portal leads to the “Backrooms”—a terrifying, endless maze of drab, yellow-wallpapered rooms illuminated by humming fluorescent lights.

Breaking Down the Eerie Ending

The film’s climactic ending has sparked massive discussions among audiences. In the final act, Clark’s therapist, Dr. Mary (Reinsve), ventures into the Backrooms to save him. However, the supernatural realm manifests Clark’s deepest rage into a mutated monster known as ‘Captain Clark,’ which brutally kills the real Clark.

Mary barely escapes the entity, only to fall into the hands of scientists from ‘Async,’ a shadowy research institute studying the dimension. The film closes with a chilling final shot: the camera pans down through the labyrinth to reveal a distorted, “Still Life” clone of Mary trapped in the purgatory. Director Kane Parsons has intentionally left the ending ambiguous, stating that it sets the stage for a broader narrative in future sequels.

A Winning Streak for Creator-Led Horror

Backrooms isn’t the only creator-driven film making waves. Focus Features’ Obsession, a horror-romance directed by YouTuber Curry Barker, continues to defy box office gravity. In a rare feat, Obsession saw a 19% spike in its third weekend, grossing $28.5 million and pushing its domestic total past the $106 million mark, comfortably securing the second spot at the box office.

Disclaimer: This article is an independent box office report and cinematic analysis based on estimated weekend tracking data and public plot details. Box office figures are projected and subject to minor adjustments upon final reporting. This content is intended for entertainment, informational, and news-reporting purposes only.

A Star-Studded Tour in Paris and London

The cast and crew kicked off their promotional journey this week, visiting major European hubs to celebrate the next chapter of the Star Wars saga.

• Paris: Director Jon Favreau, Pedro Pascal, and Sigourney Weaver attended a special screening at the iconic Le Grand Rex, where over 2,000 fans caught a glimpse of exclusive footage.
• London: The team moved to the Cineworld IMAX at Leicester Square, joined by Lucasfilm President Kathleen Kennedy, for a massive fan event.

Cast “Gushes” Over Their Scene-Stealing Co-Star

Despite the presence of legends like Sigourney Weaver, who is making her Star Wars debut, the conversation almost always turns to Grogu.

Sigourney Weaver shared her affection for the puppet, saying, “I love the little hairs on his head, his ears, and how expressive he is.” Pedro Pascal, who plays the titular Mandalorian (Din Djarin), joked that Grogu is the “real star,” even teasing that the little one “had a manicure” for the red carpet events. Pascal also highlighted that the deep, father-son bond between Din Djarin and Grogu remains the emotional heartbeat of the new film.

A Day in the Life of a Jedi Apprentice

Star Wars shared a viral “behind-the-scenes” video on X (formerly Twitter) documenting a typical press day for Grogu:

• 8:00 AM: Call time for the tiny star.
• 8:45 AM: Grogu uses the Force to “summon” a cup of coffee.
• 9:30 AM: Meeting castmates for selfies, head scratches, and more coffee.

About the Film: The Mandalorian and Grogu

Directed by Jon Favreau and written alongside Dave Filoni, the film follows legendary bounty hunter Din Djarin and his apprentice, Grogu, in the era following the Empire’s fall. As Imperial remnants continue to threaten the New Republic, the duo must protect the fragile peace the Rebellion fought so hard to achieve.

The film is scored by Oscar-winning composer Ludwig Göransson and was filmed specifically for IMAX.

Final Word

Whether you call him “Baby Yoda” or “The Apprentice,” Grogu’s leap to the big screen is set to be a cultural phenomenon. The Mandalorian and Grogu hits theaters on May 22, 2026, in both English and Hindi.

Disclaimer: This report is based on official press updates and media coverage from the global promotional tour. Film details and character names are part of the Star Wars franchise owned by Lucasfilm/Disney.